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Elsie Silver is a New York Times bestselling Canadian author. She specializes in contemporary romance. All of her publications can be classified as “sassy, sexy, small-town romance[s]” featuring “good book boyfriends and the strong heroines who bring them to their knees” (453). She lives in Vancouver, British Columbia, with her husband, her son, and their dogs. Her novels are often set in rural Canada and are inspired by her own relationship with the landscape. Her personal investment in and attachment to “reading romance books” (453) from a young age also fuels her stories. Comforted by the tropes and happily-ever-after endings in these stories, Silver aims to give her readers similar worlds to escape into. By her own description, her titles feature “[r]eal characters with real problems, people who cuss and who make mistakes sometimes,” along with scenes “that make you blush,” and “that always, always end happily ever after” (“About.” Elsie Silver).
Silver has authored three series: the Chestnut Springs Series, the Gold Rush Ranch Series, and the Rose Hill Series. The Chestnut Springs Series consists of Flawless, Heartless, Powerless, Reckless, and Hopeless. The Gold Rush Ranch Series includes the titles Off to the Races, A Photo Finish, The Front Runner, and A False Start. The Rose Hill Series includes the titles Wild Love and Wild Eyes. The third installment in the series, Wild Side, is forthcoming in March 2025.
In the Acknowledgments section, Silver claims to have a personal attachment to the Wild Eyes narrative in particular. She is fond of Skylar Stone’s and Weston (West) Belmont’s romance because they “possess that cosmic sort of soul mate vibe [she] love[s] so much,” and she has also “poured so much of [her]self and [her] own insecurities into this book” (449). Silver’s heartfelt, empathetic approach to writing Skylar’s story and tracing her personal evolution is thus backed by the author’s own encounters with fear and self-doubt, and it is clear that her personal experience authenticates her multidimensional characters and complex thematic explorations.
Wild Eyes is a work of contemporary romance that also falls under the small-town, cowboy, and baby romance subgenres. Set in the Canadian Rockies, Wild Eyes relies upon the rural country environment in Rose Hill to spur the characters toward romance and personal growth. West’s horse-training vocation also conforms to the cowboy romance subgenre, as Skylar is attracted to West’s rugged appearance and gentleness with animals. Likewise, West’s strong, nurturing relationships with his children, Emmy and Oliver Belmont, inspire the novel’s ties to the baby romance subgenre, which typically features babies or young children and explores how adult romantic relationships might intersect with domestic and familial dynamics.
As a work of contemporary romance, Wild Eyes also relies upon a wealth of common romance tropes. In particular, Wild Eyes features the forced proximity and friends-to-lovers tropes. When Skylar first arrives in Rose Hill, she has nowhere to stay because she has fled LA without any planning. Lacking a reliable source of lodging, she is compelled to move onto West’s property and take up residence in his bunkhouse. This living arrangement forces the characters into the same physical setting, intensifying the brewing passion between them. Skylar then moves into West’s house after seeing a mouse in the bunkhouse. The mouse is a narrative device used to bring Skylar and West into even closer physical proximity, which eventually compels them to embrace a sexual relationship.
The friends-to-lovers trope also informs Skylar and West’s romance. They decide to be friends at the start of the novel because Skylar is going through a hard time and West is trying to focus on his children. This arrangement lets them learn about each other and become emotionally intimate before they begin a sexual and romantic relationship. Due to these aspects, the novel shares thematic ties to other contemporary romance and small-town romance novels such as Tessa Bailey’s It Happened One Summer, Catherine Anderson’s Huckleberry Lake, Lisa Kendall’s Walk Me Home, and Annabel Monaghan’s Summer Romance.
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By Elsie Silver