43 pages 1 hour read

In Five Years

Fiction | Novel | Adult | Published in 2020

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Symbols & Motifs

Dannie and Bella as Foils

Literary foils are characters who are constructed in a way to accentuate the qualities of another character. Bella functions as a literary foil for Dannie, who leans into defining them as yin and yang, opposites that coordinate. She casts herself as rational, careful, and organized, leaving for Bella the role of emotional, flighty, and impulsive. As Dannie’s understanding of herself and her friend deepens, her perspective on this relationship shifts. They remain foils, but Dannie recognizes the value in the parts of Bella that she had defined herself against. Instead of seeing Bella as whimsical by nature, she realizes that Bella has made a choice to fill her life with the things that make her feel alive. Dannie, on the other hand, has made a choice to fill her life with things that make her feel that she is in control. In the clarity of hindsight, Dannie realizes after Bella’s death that Bella was not ruled by emotion the way she’s thought; instead, she sees that she herself has been ruled by caution and reason.

The Tragic Heroine

Bella is a foil to Dannie, but she also fills the role of a tragic heroine. There is a long literary history of essentially “good” women dying and imparting wisdom and forgiveness to those they leave behind. Examples include Cathy in Emily Brontë’s Wuthering Heights and Clarissa in Samuel Richardson’s Clarissa. These tragic literary women often share a wildness and freedom of character, for which their deaths and death-bed forgiveness often atone. Serle breaks from this tradition in that Bella’s death is not figured as a punishment, but she maintains the mechanism of a young woman’s death as a means to impart important lessons onto her survivors.

Wealth and Class

This motif may be most interesting for its lack of interrogation. Each of the characters in the novel is financially well-off. The benefits and privileges of wealth are not questioned, nor is there any commentary on its absence. None of the significant characters struggle with poverty or worry about the consequences of a lack of wealth. Instead, wealth is taken for granted and presumed normal. Dannie does perceive Bella as being more affluent than herself and has a carefully laid-out plan to achieve that level of wealth, but a lack of access to money and resources is not a challenge that our main characters have to overcome in the novel. Despite this, the print that Bella searches for and gifts to Dannie says, “I WAS YOUNG I NEEDED THE MONEY.”

Chosen Family

Bella and Dannie’s families are sporadically mentioned in the narrative, but rarely are they physically present with the two women. Dannie’s parents have been good to both their daughter and Bella, while Bella’s parents were largely absent for most of their lives. The more important familial relationship for both women is each other; they have a sisterhood that could not be made more powerful by blood relation. This theme is reinforced repeatedly in the novel and is formalized by Dannie’s being listed as Bella’s next of kin (148). Even Bella’s mother acknowledges the close bond the two share, saying, “Sometimes, I think the only thing I did right was give her you” (234). Notable, too, is Dannie’s response when Bella tells her she regrets that she won’t be able to see Dannie fall in love; Dannie tells her that she has, and that Bella has been the great love of her life (237). They have been present and vulnerable for each other more than anyone else.

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